![]() Particularly famous is Brel’s recording of Vesoul: Azzola delivers a cascade of fast notes and Brel exclaims “ chauffe, Marcel, chauffe!” (go, Marcel, go!), which became a popular expression.Īnother accordion figure Yvette Horner was known for accompanying the Tour de France and later for performing in extravagant Gaultier outfits. It became a favourite accompaniment to French chanson, and Marcel Azzola, a virtuoso born in Paris to Italian parents, accompanied Edith Piaf, Jacques Brel and Yves Montand. In the inter-war period it was used in guinguettes – venues for drinking and dancing in Paris suburbs – and at dances called bals musettes, which had a musical style mixing French music with that of Italian immigrants. While associated with working-class urban music in the Paris area, it was also taken up in folk music in several regions, such as Brittany. Mr Jarry said: “We’re talking about an instrument that was used to get people dancing, not for concerts, and it is autonomous – it can at the same time play the tune and the rhythm for accompaniment – perfect for dance.” ![]() On traditional French instruments, the right side has rows of buttons, not the alternative piano-style design. The left hand presses buttons for bass notes or chords and works the bellows, the right plays the melody. They are less standardised in design and sound than most instruments and there are several mechanisms, including the chromatic accordion, where a given key plays the same note whether you pull or press the instrument, and the diatonic one, which plays different ones. It uses the free metal reed ( l’anche libre métallique), little metal tongues which vibrate to make the sound.Ī basic accordion for learners has three-and-a-half octaves but others have a much bigger range. It is also robust and needed less maintenance than other instruments such as violins and bagpipes. The instrument caught on to accompany popular music and dance, as it is versatile, has a good range of notes, and is cheaper – and more portable – than a piano. It would be sent by train to the nearest station for you to collect.” You could order one from a catalogue, along with linen and other home goods. This popularity was originally partly due to mail order. “Then, before the end of the 19th century, it became a manufactured product – made in quantity at an affordable price – and that’s when it became popular and spread around the world,” Mr Jarry said. In the early days, they were costly, made from precious woods and inlaid with mother-of-pearl, and were played in posh salons. Mr Jarry, of La Boîte d’Accordéon ( ) in Montreuil, east of Paris, said the first patent was in Austria in 1829 but accordions were being made in Paris a year later.
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